HOLLYWOOD EXECUTIONERS
sterile stage sets
fluorescent lighting
hospital gurney
for the ultimate
makeover
this is my debut
true crime actress
tabloid goddess
in dress rehearsal
for my coffin
ivory satin
rosewood
and peach lace
this is my big break
sleaze and glamour
chrome and silver
screen kiss or
screen tears
the latest starlet
hyped for the media
Hollywood executioners
and death row supermodels
incarceration blues
but the drugs are just
to die for
stuck here awaiting
lethal injection
if it was up to me
I'd rather fry -
so dramatic
increase the tension
but at least this way
I get to keep
my hair
swoon for the needle
drift sweetly off
to sleep
you've taken justice
and made it sexy
I'll save the interviews
for the afterlife.
(c) Ingrid Joachim 2002
MAMA GATOR'S CAJUN KITCHEN
She's all bons temps rouler
flushing pinker than the
shrimps all bubbling merrily
with rice and herbs
she smooths her hairnet
fluffs her apron
hums with the cassette
of that new band
whose hot accordion player
she's in love with
singing in the kitchen
keeping youngsters out
from under foot
with tastes and spoonfuls
richly spiced and nourishing
(c) Ingrid Joachim 2001
GOD BLESS THE CHILD
(IN MEMORY OF GARY GRAHAM, SEAN SELLERS AND JOSEPH JOHN CANNON)
a young man
no more than a little boy
when sentenced
fighting for his life
his breathing jagged
poisoned nerves
paying the state's price
a staged mock crucifixion
pierced stigmata
of a ruptured vein
the crime was never his
he never saw the one who died
or the weapon, for that matter;
even if he did it
he does not deserve
this clinical charade
or the governor's self-righteous
sham compassion
the audacity of you
elected by the people
standing up there
in your crisp pressed suit
and Sunday morals lined
with dollar bills
a hypocrite who dares to say
god bless the child
this is murder
this is murder
just because the lynch mobs
have dispersed
the noose no longer dangles
from the branches
and your frying chair is only
now a movie prop
a fairground ride
a toy
doesn't mean your hands are clean
and bloodless
the victims that
you claim to have avenged
are still dead
their families still grieve
and now another mother
has to bawl her eyes out
at her son's graveside
try to glue the pieces
of her shattered world together
no restoration for the innocent
no chance for the guilty
to repent
make reparations
death with dignity, you say?
why not save your injections
for that pitiful old lady -
93 and cancer-riddled
begging for someone
to end her misery?
or that malformed baby
virtually brain-dead
kept alive by cruel machines
against his parents' will?
so typical!
your twisted logic
jails the mercy-killers
puts the executioner
in the White House
you have been judged
and been found wanting
had I the power
I would not demand you die
to make amends
for all those stolen lives
but condemn you to eternities of nightmares
hell on earth
seeing in the faces
of the executed
your own loved ones
or yourself.
(c) Ingrid Joachim 2002
THE MERMAID
slash coral
and vermilion
her nacreous pearl mouth
forcing mine open
undertow
aqua lustrous cling
her hair entwining me
in seaweed strands
flame and opal
glimmering of scales
submerged
flesh bare and smooth
and curving to enfold me -
so sweet to drown...
(c) Ingrid Joachim 2003
DOWN (SEPTEMBER 11TH, 2001)
all eyes were momentarily
a splintered blue
disintegrating skyline
a dismemberment of
agate, glass and spires
black lady wearing ashes
as implosion sped
the morbid lily downwards
ever down
chaos hit the sidewalk
as the orphans
of the subway screamed
into the camera's void
an open wound
of nothingness
a shellshocked sun
sank disemboweled and empty
ever down
(c) Ingrid Joachim 2001
RUTH'S CHAIR
one dream could not preserve
her luscious fullness
sleek with perspiration
and a lover's friction
lingering like musk
and violet perfume
on discarded silk
scalding steam
of prison showers
Ruth's sobs
like a ravished bride's
echoing macabre
against the dense
barred shadows
solid outstretched arms
and dangling straps
of she who waits
all life's golden lustre
drained to her chair
a lens to keep
the fragile moon at distance
from her wired throne
(c) Ingrid Joachim 2002
FIRE DRAGONS
under the sunrise
hatchlings greet the dawn
breathing an inferno
seared with gold-dust
alight with fiery scales
and sharpened amber horns
reaching for the red sky
garnet-encrusted claws
stretch and entreat
calling their mother homeward
to her nest
so they can take their first flight
over mountains bleeding flame
(c) Ingrid Joachim 2003
RUNAWAY BRIDES
you woke me
as the dawn unbound us
with the warmth of roses
kissing my neck
plaiting summer jasmine
through our hair
discarding your meringue
concoction of a gown
for seashell pink
lace petticoats;
veiled only in
the remnants of a moonrise
we wove the daisy-chains
of childhood through our dreams
made them alive
no vows needed
for our lips to softly meet
while dancing in the dunes
or frolicking bare-breasted
in the champagne foam;
sheltered from
blue-shadowed afternoon
I loved you in ways
your cold intended never would
licked the salt
and diamond water off your thighs
kissed the garnet-tinged
blood droplets
from my scratches on your skin
back at the white stone church
the guests grew anxious
and your bridegroom knew
with sinking heart
you were already wed
(c) Ingrid Joachim 2003
THE BALLAD OF DEATH ROW DIXIE AND CAIN THE DESTROYER
ageing raddled
Southern belle
tarnished gems enhance
insanity
lost girlish grace
and mildewed
trousseau frills
only her butcher-knife
still shimmers
blue-white band;
a searing coldness
hits your jugular
a sudden gush
of clotted
gurgling screams
slipped through the cracks
when her hour
for the hot seat chimed
gold to the governor
flight to the forest
crinoline
and misanthropy
ravens peck
the babies' eyes
daddy's carcass
swinging bloody on
her country porch
and that's not
'gator stew
in the pot
by any means
chained
in her basement
seven feet of
throbbing muscled hate;
homicidal boy-toy
aching in
his leg-irons
for her footsteps
for the key
he craves another spree
gore streaked warm
gelatinous
human entrails
littering
the cellar dust
decrepit villa ringed
by staked bones
and the heads
an offering to her
as he tongues
her splattered
high-heeled boots
lusting for pain
sweet madman Cain
as Miss Dixie mounts him
razor-bites him
as the sounds
of dying
echo through the swamp
(c) Ingrid Joachim 2000
BABY FARMER
a cottage full
of cribbed and
stirring infants
kitten-warm
in trust
small pudgy fingertips
brush my cheek
they beam
and bless my pillow
with their coos
mud-churning sleet
frost upon
the linen
hanging between ash
and air;
a stink of milk
and desecration
laudanum slips
too easily
feathery swallow
febrile twitch
one less
downiness
of crocheted
smothering wool
a tautened grip
could end their
drowsy maggot swaying
laudanum slips
too easily
a juddering train
a hatbox
and one less
my little garden
flower-sheltered
brood of shame
in stagnant
crumbling earth
a sentence passed
too easily
constricting noose
a trapdoor clangs
one less
mother-savior
mother-slayer
prays for each
forsaken child
come to me
suffer them
to come to me -
oh God
let me not suffer!
THE WIZARD
some call him mad
purple-eyed stargazer
eclipsing daylight with
his telescope of gold
seeking comets in the crystal
mixing heaven's dust in potions
infused with belladonna
and the souls of butterflies
strange he may be
but he can bind the universe
in mauve silk scarves
and has learned to speak
the language of the moon
(c) Ingrid Joachim 2003
KUAN YIN
she who sits
alone and centred
serene as childhood
memory
amidst the honeyed
shadows
and my stray moon-coloured
thoughts
unfolds a harmony
before this hour
unknown
(c) Ingrid Joachim 2004