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Kirby Wright , Hawaii

Black Point, Oahu

I sedate
in the coconut breeze,
ponder the hum
of runaway ocean.
Men test the shallows
with spears - they
stab at shadows
then poke and prod holes
beneath the surface.
The men are
stick figures, bending.
The sea is a canvas of tortures.
The beach is missing its
people. Mansions at Black Point
pretend to be human.
They crowd the soft bay,
this skinny shore.
Waves slap the sand,
repeating yesterday
and the day before.
The water fills
with pleasure boats.
A sharp white sail
severs water from sky.



Nu'tungktatoka

                    Material matters will be destroyed
                    by spiritual beings who will remain
                    to create one world and one nation.
                    Hopi Prophecy

Things spill out with frequency,
especially childhood beatings and secrets.
Remember when you used to lie
on your back on grass
and play with the clouds?
Now find a seat on the salt train and
watch your face get pulled by wires across a cloudless sky.

These grey heavens
shower my accomplishments,
but beyond the quivering magnolias
the ocean laughs. I fill my life with little miseries,
trying to disguise surface weaknesses.
Does what's on the inside trickle out
and spill into morning coffee,
me drinking my reflection
again and again?

See the skeletons dance their dance for flesh.
They move like rivers move
beneath this city, quiet and desparate
Overhead, a plane does its mock planet routine.
The moon pulls our bodies over walls,
joins our shadows. Horizon bleeds, spills twilight.
The sky? in pain.

I hurry  my crabmeat self
over the bones of the forgotten,
foraging for things I don't understand,
things that won't resist my claws.



Rochelle Hope Mehr, New Jersey, USA

sine qua non

art is so needy:
a floppy-eared dog
wagging its tail
panting and slobbering
for your attention just for a moment
for your stroke of flesh to validate
its leap of faith



Below Ground Zero

What's apparent from the surface is a cavernous hole
agape and ghastly
as a jack-o'-lantern grin
illuminated by the fires within

It japes at us, it gets to us
when we least expect it
this absence
this space where the Twin Towers stood

Below
the seared off hubcap of a car
the pulverisation of flesh

absence within the absence

The ATM in its eternal expectant moment

waiting for the next customer to log on

In the bookstore, books still on shelves
self-contained
unperturbed



The Mean

They'll always be the master of me.
The confident, shiny people.
The people who know the answers to of all of the questions.
Or who at least ask the really impressive questions.

So easy for them to walk and talk.
They glide through the corridors of life
Off-limits to me.
Executing programs.
Following through with gracious ease.
Exchanging pleasantries.
Apparently human
But cogged into some mighty, Machiavellian machine.

They'll always be the master of me.
The confident, shiny people.
They're too much on the beam.
They're sleekly efficient.

And just too mean.



The Detachment

With a sick parent in the hospital.
Starting out with the noblest of intentions.
Still myself with Bach's French Suites sallying forth in my head.
Trying to break past
The grim scrim of beeping monitors punctuating the air.

Then (fatal consequence of sensory overload?)
Finding my legs lockstepped into the staccato rhythm
Which motors the place.
The robotic knee jerk
Which is - one might say -
The heart of the place.

Moving further and further into the march.
Farther and farther
From the more natural rhythms of Bach.

And losing my pulse




Dawn Bruce, Australia

Divorce Lunch

Modern, sensitive, in control,
we've worked through the maze.
Mould odour of mushrooms
lingers in silence.
I look away from you,
glance through glass
at mute horror
of trees
twisting toward light
trapped between towers.
Wintered bare
they lean;
boughs thinned to twigs.
Distorted trunks
darken and angle.
I weep inwardly
for all withered dreams.
To fill the waiting void
we tear lettuce,
spear prawns,
devour bread rolls,
look forward to the main course,
for in an hour
we'll be free.
Divorce absolute.



Painting
of My Mother's Village

Small cottages stepping
through soft vales
invite wondering.
Warm reflected
in toffee-glisten panes
incite longing.
Indigo roof tops
hooding white-washed walls
evoke mystery.
Frost breathes
upon the scene
and melding with moon glow
infuses
a cold lace of light.
Trees stretch in silver rows
like gaurds,
protecting this fragile land,
this tiny glimpse
of a dreaming moment.



Conversation

We speak of weather,
food, the price of petrol,
and then the thread snarls,
tightens
chokes off into politics,
racism, sexism,
strangles into swearing
screaming
leaving
the gasp of friendship
caught in the slammed door
of an empty room.
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Photography: Bill Perry; Africa 2000
James Quinton, Australia


The Weight Of Chainsaws

She uses petrol for hairspray &
We head to the markets
To drink the merry-go-round.
I buy a cone, well, three
All of which have clouds on top
She buys fairy floss &
twenty chainsaws, one for each relative
Christmas is soon.

We enter a warehouse &
On the roof I can see bodies
Within corrugated perspex
They're being sucked back and forth
As if trapped in a hysterical vacuum cleaner
One falls through and lands in a bowl.

I take their hand
We lumber to the slide outside
My sunglasses spewing a liquid tint
The weight of chainsaws hurting my back.


Star - Ten - Hash

The craziest of alarms
                                                            Is hidden in
A car attack on the pavement
                    circling

I am a thoughtless perciever
                                                            of red walls &
Hearts in retread
Will it happen?

The full handed walks along the salt
Shaker and eyes we've just had for lunch

When your engine sparks, it's guitars.
When I clean my windows -
                                                            Come over
I'll have a new CPU that's compatible with the old
Random Access Memory

Star-ten-hashing the hurrah daze
Somehow I thought we these days
A one-world government is all I have
                                                            Is that enough?
Or shall I buy more laundry powder?




Pris Campbell, USA

Pedestals and Pits

Doesn't he think
I've noticed the missing pedestal
as my feet flail,
dangle to reach ground?

Hasn't he discovered
I can hear
the absence of sound
as clearly as the songs
he used to sing?

Can't he see me shiver
from the chill of his words,
bare armed, so unprepared?

I shall dig a deep hole.
Sit in the warm sand.
Avoid pedestals.
Sing my own songs.
And, when he has gone,
gather my courage...
climb out.



Heart of the Matter

Quiet ocean rhythms
net the heart of the matter.
Waves rise, recede.

Shorebound miracles
disguised as jellyfish,
shells, and baby turtles
rush to greet my damp feet.

I gaze into turquoise seas,
breathe salt dreams,
sing with the dophins,
forget my yesterdays.



The Gift

For the last ten years of her life
my aunt sat vigil by the phone.
'He'll remember this year.'

Words my mother could recite
by rote every spring.

Her birth day.

When she was young and beautiful
he was her sun.
His hand in hers,
held tightly in the park.
Lovewords breathed into his ears.
Nightmares soothed in her lap.

Her last Christmas,
a hastily wrapped package...
Bath powder.
The stench drove the cat outside.

She didn't wait the following spring.

When he came for the funeral,
eyes searching,
I wondered:
was it the powder he looked for,
or her?



Mike Williams,  Perth, Western Australia

tales of crazy alice

walk the crooked path alice
you've never gone straight
the traffic blurs on the grey street
as the fury of breathless rivers
words like birds pass through all the silent skies
it's birth & death
stolen time that slips through lips
in busy faces
ticking like the clocks
wearing smooth the stones & rocks
& darkness on the sallow ridge
where the sun
slips
beneath the
wheel
of earth
the seas in wombs of salt
call their whales home to the deep
the swaying cradle of her moon tides
pale angel moon who needs no god
phase after phase naked in solitude
legendary as guinevere
while the gutter offers up its dead
on stage you step through dark
librarian record your wars
give them to the new born
this is how we do things here
welcome to the world
we have made your bed
while priests unthread their coats
they have no hands that have not destroyed
while business men are drawing breath
a dollar here  a dollar there
alice your ears are burning
crazed merchants beating on your door
in the garden of your flowers
you are a small white thing in a fragile dream
you know these things
i can tell you nothing
these streets  these houses  these towers of commerce
new worlds  the americas we ventured west for
i see you weep for third world hunger
though i feel nothing
how can i with my belly full?
alice you are lost for years in strange fields
i could never find you there
is that your chair by the fire
where you sat consumed by explorers tales
as the winds howled beyond glass?
we move on a furious train my dear
down a steel blue track
rocking through the cracked nightheart
we are hobos yelling songs to the starry sky
i must revisit my hat
become dangerously mad
look! you say  the white rabbit at the window
the swirl of unseasonable snow



Raven,  Australia

Four A.M.

4am twenty seven years ago,
James ripped screaming into my life.

Blood and water.

Never slept,
he cried till the kookaburras started each morning,
chortling at my sleepless muttering.

Pete no damn good,
long hours in the mill
always fell asleep with Jamie in his arms,
draped over the couch
the TV snowing,
Jamie crying.

4am seventeen years ago,
James got crook.

Blood and water.

Hours to days,
Alexandra base hospital
sitting on plastic chair
bum numb
watching his face.

Pete no damn good,
couldn't make it
could'nt take it
tears on his grimy cheeks
unable to speak his fear.

4am last night
James crashed his car
into lake Ridgely.

Blood and water.

Into town,
identify the body.

Pete no damn good,
weeping for my sleeping child
I got wild
smacked him across the face.

Blood and f*ucking water......



Beauty in departure

Beauty in departure,
separating each coil with long fingers.

Unknotted,
to part in parallel lines.

The braid a memory of sun baked earth
where you ran laughing in the harsh glare.

Undo me.

The flax twine of unity.

Dancing on the strands sliding through my hands.

The pull losing its compulsion,
we walk on the tight rope alone.

In the end, sending farewells along the
string.

The braid of a moment when you rested in
the palm of my hand in course fibres.

Untie the sun for us.



This Gun.

This here gun,
blue metal whisper.

Family court
ripped my life away
peeled it layer by layer
exposing every lie
every truth.

Rests easy in my arms,
a lover with a promise in its eye.

My brief didn't even show up,
bastard took a sickie on me,
some suit covered fuck
who didn't know my name came
on my day in court.

click,
And the breech beckons
a narrow darkness,
insert one chance.

The stand in
bowed down so low
I thought he was gunna spread his cheeks
he didn't even read the case,
her barrister walked all over us,
mowed me down
dry grass stalks
brittle in the wind of the law.

Click,
and the symmetry becomes unbroken
once more
smooth
patient.

she got the house,
the business,
but the kids...
oh Christ
two hours a month
with the kids
I can't
how the fuck???
I can't only see them for two hours
Mandy will cry herself to sleep every night
she needs me you see?
Can't they see?

swift movement
and the barrel is pressed
under my chin
the metal
cool
the trigger
tight under my finger
this here gun
this gun
this...

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