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Eruption, Patricia Howitt
The artist entertaining the gentleman of the art world , Christina Conrad
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Roger "The Quill" Worley, U.S.A

Order of the Rhynchocephalia

My great grandfather
was a pleuosaurs and they
call me a Sphenodon but,
I prefer Tuatara if you please.

I am the only surviving species
of the Jurassic period from
200 million years ago.
The Greeks wrote stories of

our kin from which they
expanded the truth
Thus, was born a legend
entwined in mystical tales.

We make our home in
New Zealand, I on Chicken Island,
others along Cook Strait.
We are the most endangered

species on the planet and god
help you if you harm one of us.
To put the record straight
we are Tri Cyclopes,

Yea! an eye in the middle of
the crown and are the genesis of
the Greeks Mythological
creatures, which are but
mere fairytales.




San Joaquin Hill

To Tampa they were sent
to await orders to fight.
Locals treated them like dirt.
Discrimination ran high ...
living conditions were worse.

Sent on a boat to Cuba to fight,
they were forced to sleep
and live like cattle, in the bottom of the boat ...
a deep insult to say the least.
But they kept faith.

Upon arrival in Santiago, it was rainy and hot,
a difficult environment for a military force;
but, true to their legend, they started to fight.
Like demons from hell, they attacked from
the bottom of Kettle Hill.
Bodies lay dead every few feet,
but those remaining soon raised
their arms in total conquest.

Then another order came tumbling in:
"Go take San Joaquin Hill."

Bullets flew like fireflies.
Bodies dropped one by one.
Yet, these brave men cntinued
until they stood atop San Joaquin Hill.

As they raised the red, white and blue,
a huffing and puffing young officer named
Theodore Roosevelt arrived with fresh troops
and ordered the fighting 24th back to the boat.

Now history speaks of Teddy's Rough Riders
and how they charged up San Joaquin Hill.

Operative word please ... Charged ...
as they arrived after the fact,
while the all black 24th sailed away home.




The Duel

High noon, March 2, 1882,
Tuscon, Arizona:

The weather worn, wooded,
fan windmill was working
overtime in the brisk wind.

A dust devil oscillated
from one side of main
street to the other,

collecting sand and rubbish
while two gun-slingers
stood poised, twenty feet apart,

finger tips almost touching
the handles of their 45's
awaiting the last ticking

of the towns clock, signalling noon.

Twitching fingers, brows dripping sweat,
hands shaking and
eyes focused, they waited.

Onlookers nervously watched
from behind closed windows
as the clocks second hand sang:

"Tong-tong, Tong-tong..."

Hands moved, pistols fired.
Six distinctive clinks on target:
Morrison turned to Jennings,

saying: "You missed
the fans of the windmill
completely."

Jennings replied: " Of course
I was aiming at the spaces."




Pris Campbell, U.S.A

Yellow dogs and God

Nose pressed against pane
I feel your touch
and know
you stand behind

Armrests you create
for my breasts
before the inevitable begins

A yellow dog crosses the street
sprawls down in the rain
Does he glance up in the darkness,
spy us here, by the candle-glow?

Barebreasted now
your hardness grows against
the part of me
that goes softest with your dear touch.

Would he approve
of the curve of my rear
as I turn to
lift myself onto you
for one more heavenly ride?

How sweet the kisses
so close between,
do I still breathe?

Does forever live
in our joining?
Is god where we stand
locked now as one

Passion finally spent
I turn in your arms
press nose once more
to pane.

The rain has stopped,
the yellow dog, dried off and gone.




Hazy Love

In the aftermath of vacationed love,
your body shifts
your chest,
my moveable pillow becomes.
You moan,
mumble words
I can't understand.

Outside, the Maine surf rushes in
tossing sea shells in its wake
A woman's voice rises
laughs
and fades...
Evening fog leaks in
a lopsided screen door
surrounding us in haze.

A distant radio blares, quietens.
An old Joan Biaz...
Diamonds and rust.
That love song about Dylan.
Finally, giving up on my vigil,
I sleep.

"We will change the world,"
You said back then.
Thick black hair tangled
over your shoulder.
Love beads hovering
dangerously over muddy coffee
at that cheap Village cafe.

When did you fall
for the lure of flow charts
closets of business suits,
statistics to measure your success?

"I am losing you."
The clatter of computer keys
your reply
"You are losing me,"
I finally told you last week,
bringing us, at last,
to this place.

Sometime around midnight
you reach out,
release my barrette,
kiss me
then
kiss once again

My hair tumbles free.

rob walker, Australia

Shed Tears

I

I look at the box of stuff
Halftins of paint
Some galvinised nails
Some tools
Wonder if I'll ever use them

It took half a day to clean out the shed
Most of the wood you'd saved will keep me warm next winter

Time stood still here 15 months ago
Your gouges beside the lathe
Shavings still on the floor

The frustrated hours after the tumour
Stole your knowledge of soldering silver
A half restored motorbike

It's a personal space,
a man's shed

A man's life
in a card board box

Now it's my shed

And I wonder if I'll ever need this stuff
Or am I just deferring
the disposal
of the last remnants
of your life?

II

cobweb curtains dressed in dust
cupboards flake their blistered skin
sawdust penetrates my nose

his father was a carpenter
evening smells of sweat with wood

floor cobbled brick
undulating like the sea
parts of motorbike & cars
rusted now with dust and grief

Tools from past deceased estates
hardening half-tins of paint
nails and screws in little jars
half-light memories
fade to nothing-
ness




Bus Kids

hair less shiny
than a sunsilk ad
sallowskinned obesity
selfconfidence took an earlier bus
streetwise suspicious
despite their innocence

the main road cleaves
pedicured landscapes from
concrete and couch
the lucky ones
have one parent
working late

the rich kids already
in warm family rooms
on their playstations
while the bus kids wait
stoically
at windswept bus stops

strange how
a strip of
bitumen
can divide
two worlds.



David Markey, Australia.

An appropriate storm

night thunder

a soft curtain
billows
catchment of air

rainfall

first moist kiss
upon the
window upon the
world

leaves
of the dead poet
Micheal
sift in a paperback sleeve

I ignite
a nicotine missile

smoke consistantly
as a meansto death

and

for illusionary company
a smoke filled room
in my
weird nights hermitage

I can no longer sleep




Beauty

I'd like to be the one
who walked on dew
and knew upon beauty
I trod.

Or looked on sky
and immediately saw
the pattern there.

Not one who dwelt in a house
with pictures
others would walk-by
and sigh

approving
but one who had breath drawn away
by beauty.



Juliette Gillies, Australia


Chasing the Dragon

Amber tears are flowing
spilling up my veins.
Black sun shining
Burns the laquer off my teeth.
Fading life and paler skin.
Vision loosing sight
and that stupid will
I have to live.

Am I the one you should punish?
My weakness will be the death of me.
Strip your crying and your pity,
go to hell with your forgiveness
And leave me in this emptiness, stoned.

You've licked away at my redemption
ripped it hard from my chest
and stamped it into the ground.
Dry throat, dry wrenching
and always so thirsty, can't quench it.
I'm overfed and always hungry
to be engulfed by you.

Living in numbness, living in echo
or not at all, you can make that happen.
There are no miracles, no truth, no words
Only this junk I'd die for.



Coincidences

My back is strong
And so are my broken bones.

Don't mistake all these tears
For weakness, inside.

You'll never know all the secrets
I've lied or the promises shed.

This blackness I bleed
From my pouted mouth
Doesn't deny me your fist.

But your hands no longer grab.
Your whispers no longer
Crush me.
I have risen eagerly above
The smoke of your existence.

Reformed my presence to match
All my reasoning.
My strength, my solitude
No longer held, inside.

I embrace this new being
You can't touch.



Scott Villarosa, Australia

Fluid Ink

Lucid thoughts are questionable.
Fluid ink bears a freefalling wash of unsanitary grudges
Misinterpretations automatically class persons as,
exemplary icons of discontented wishful believers.
Stains that shame the easiest of soiled surfaces;
Linings that are at present scarred by the unforgiving nature of the worldly sphere.

Hot and cold

If battles were drawn, who would stand victor?
The sun or the moon? The warmer or the colder?
Maybe the bolder will emit me a shiver.
Ice thy formation; describing your element.
The warmer the killer- last it will not.
Sorrow on a worn face- fine rays sent to clot.


Editors note:
I would like to thank all our international guests this month, some of whom we will be featuring as special guests  next issue!!. I hope you the reader have enjoyed the scope and range of works.
A special thanks to Roger for the wonderful range of works shared.
Arohanui
dougpoole