One leading neither blind and someone unseen
as small frogs leaped as we walked through night through grass the hem of your skirt absorbing water and seeds between your painted toes i carried your shoes walked in your footsteps 2 parallel lines across a black feild diagonally. at a metal gate a dog sat stared with us until called away by someone unseen this side of the gate: small stones and a wind from the left dissolving our clothes you said: frog leaping yes but no river no stream and wrapped your head in silk
when light dried the grass and those stems not broken began to rise: you me sleeping and seeds on the floor of a city room
st thomas aquinas blindfolded again
through the window more than 44 corroding rooves and beneath this one you me your rings never removed twist easily yes and i watch your mouth in profile and your belly rising falling beneath creatures breathing without air the ocean moves that line of hanging lights and you hear it in mouths and eyes moving and in tightened fingers unfolding you me bitten empty still restless eating flesh in memory of no-one
when the last doormouse has been flung from the last high window
a branch: and the claws of the bird will loosen when that woman reaches the fountain when her shadow darkens the water before she sits to read when i've twisted your bracelet another 5 times when the white blind in that window is unrolled when that yellow door opens when your painted mouth next says perpetual when that infant near the kiosk wakes when the tall man and the small man reach the gate or at the opening of the octopus eye oh the branch is empty
and the ghost of a pig waltzing
We walked beneath unlit hanging lights to the blue iron bridge the imprintsof leaves on paving stone and pyrimids of snow in corners against steps you talked of another your breath in his rooms and the lawns he made for you to die on you talked of white washed walls and how you drew around the shadows of horses the blue iron bridge and beneath us the body of a pig floating pale in black water turning a circle and again in 3/4 time we should throw flowers you said make sighs your face in profile lips moving and the pig circles turning disappearing into dark and your heels mine running on beaufort street 3 am
and now we sit in yellow light with days to fill with dancing
you could wait all night to see two nuns and a priest chasing a dog
a black sky heat insects around a street lamp through a lighted window: a man leaning across a table towards a woman leaning back to her right: copper pans hanging and a partly open door. you me walking 2 dogs running around the neck of one: a rosary. on a donated bench too low to see over the river wall we sat among sentences of figures passing you said: benches are for the dying
the stones in the wall were long wide carefully shaped some half hidden by weeds those at the top: worn smooth
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